Casablanca [1942]

The second disc features a plentiful collection of sundry archival features and more from Bacall, who hosts the two documentaries: You Must Remember This: The Making of Casablanca and a retrospective of Bogie's career, Bacall on Bogart. Of minor interest are two very short deleted scenes--Laszlo and Rick at the jail, and a German officer's pratfall--which in lieu of any surviving audio track have been subtitled from the original script; there's also five minutes of silent outtakes. An audio-only sample of Max Steiner's music-scoring sessions features Dooley Wilson singing "Knock on Wood" and "As Time Goes By". There are brief reminiscences from Stephen Bogart and Pia Lindstrom (son and daughter of Bogie and Ingrid Bergman, respectively); Bugs Bunny and pals in Carrotblanca; a curious 1955 Warner Bros TV version of the movie; audio excerpts from the "Screen Guild Players Radio Production" featuring the principal cast; plus the usual static galleries and other trivia. All in all, it's a valuable two-disc set that really does provide everything you always wanted to know about one of the most famous movies ever made. --Mark Walker

Triple-Oscar-winning "Casablanca," directed by Michael Curtiz, was and still is without question Bogart's greatest career-defining moment, the movie on which his legendary status is grounded more than on any other of his multiple other successes. The film's story is based on Murray Burnett and Joan Alison's play "Everybody Comes to Rick's," renamed by Warner Brothers in order to tag onto the success of the studio's 1938 hit "Algiers" (starring Charles Boyer and Hedy Lamarr). Building on the success of 1941's "The Maltese Falcon" and further expanding Bogart's increasingly complex on-screen personality, it added a romantic quality which had heretofore been missing; eventually making this the AFI's Top 20th century love story (even before the No. 2 "Gone With the Wind"), while second only to "Citizen Kane" on the AFI's overall list of Top 100 20th century movies; with a unique, inimitable blend of drama, passion, humor, exotic North African atmosphere, patriotism, unforgettable score (courtesy of Herman Hupfeld's "As Time Goes By," Max Steiner and Louis Kaufman's violin) and an all-star cast, consisting besides Bogart of Ingrid Bergman (Ilsa), Paul Henreid (Victor Laszlo), Claude Rains (Captain Renault), Dooley Wilson (who, a drummer by trade, had to fake his piano playing as Rick's friend Sam), Conrad Veidt (Major Strasser), Sydney Greenstreet (Ferrari) and Peter Lorre (Ugarte). And the movie's countless famous one-liners have long attained legendary status in their own right ...

Looking at this movie's and its stars' almost mythical fame, it is difficult to imagine that, produced at the height of the studio system era, it was originally just one of the roughly 50 movies released over the course of one year. But mass production didn't equal low quality; on the contrary, the great care given to all production values, from script-writing to camera work, editing, score and the stars' presentation in the movies themselves and in their trailers, was at least partly responsible for its lasting success. In fact, the screenplay for "Casablanca" was constantly rewritten even throughout the filming process, to the point that particularly Ingrid Bergman was extremely worried because she was unsure whether at the end she (Ilsa) would leave Casablanca with Henreid's Victor Laszlo or stay there with Humphrey Bogart (Rick).

Little needs to be said about the movie's story. After the onset of WWII, Casablanca has become a point of refuge for Jews and other desperate souls from all corners of Europe, fleeing the old world with the hope of building a new life in America. Unofficial center of Casablanca's society is Rick's "Cafe Americain," where gamblers, refugees, French police, Nazi troops, thieves, swindlers and soldiers of fortune come together on a nightly basis, to make connections, conduct their shady business, or simply forget the uncertainty of their fate for a few precious hours. And presiding over this mixed and colorful society is Rick Blaine, expatriate American without any hope of returning to the United States himself (for reasons never fully explained), officially not interested in politics but only the flourishing of his business, but soft-hearted underneath the hard shell of his cynicism. From Rick's perspective, everything is going just swell and the way it is meant to be: he is reasonably well-respected, has a good working relationship with Captain Renault, the local representative of the Vichy government (based on mutual respect as much as on the fact that Renault is a guaranteed winner at Rick's gambling tables and, by way of reciprocation, turns a blind eye to whatever less-than-squeaky-clean transactions Rick may be tolerating in his cafe, always ready to have his police round up "the usual suspects" instead of the truly guilty party of a crime if that person's continued freedom promises to be more profitable); and although aware of Rick's not quite so apolitical past, the Germans are leaving him alone as well, as long as he stays out of politics now. Until ... well, until famous underground resistance leader and recent concentration camp-escapee Victor Laszlo and his wife Ilsa walk into Rick's cafe, into his place "of all the gin joints in all the towns in all the world" - and with one blow, administered to the melancholy tunes of "As Time Goes By," the carefully maintained equilibrium of his little world comes crashing down around him.

The movie's recently-released two-disc special edition is unquestionably superior to the prior single-disc DVD; featuring not only an improved video transfer but also, and notably, a new introduction by Lauren Bacall, additional documentaries ("Bacall on Bogart" and "The Children Remember" with Stephen Bogart and Ingrid Bergman's daughters Pia Lindstrom and Isabella Rosselini) besides the excellent "You Must Remember This" already included on the one-disc edition, newly-discovered deleted scenes, treasures from the production history, commentary tracks with Roger Ebert and historian Rudy Behlmer, as well as several audio documents and fun stuff like web links and the "Looney Tunes" homage "Carrotblanca."

Not only to Bogart and Bergman fans all over the world, "Casablanca" is film history's all-time crowning achievement, a "must" in every movie lover's collection, and one of the few films that truly deserve the title "classic." If you don't already own it, the 2003 release of a two-disc special edition is a great occasion to remedy that omission!


You must remember this ...   May 6, 2004
Themis-Athena (from somewhere between California and Germany)
16 out of 17 found this review helpful

Aaaahhh ... Bogey. AFI's No. 1 film star of the 20th century. Hollywood's original noir anti-hero, epitome of the handsome, cynical and oh-so lonesome wolf (with "Casablanca"'s Rick Blaine alone, one of the Top 5 guys on the AFI's list of greatest 20th century film heroes); looking unbeatably cool in white dinner jacket or trenchcoat and fedora alike, a glass of whiskey in his hand and a cigarette dangling from the corner of his mouth. Endowed with a legendary aura several times larger than his real life stature, and still admired by scores of women wishing they had been born 50+ years earlier, preferably somewhere in California and to parents connected with the movie business, so as to have at least a marginal chance of meeting him.

Triple-Oscar-winning "Casablanca," directed by Michael Curtiz, was and still is without question Bogart's greatest career-defining moment, the movie on which his legendary status is grounded more than on any other of his multiple successes. The film's story is based on Murray Burnett and Joan Alison's play "Everybody Comes to Rick's," renamed by Warner Brothers in order to tag onto the success of the studio's 1938 hit "Algiers" (starring Charles Boyer and Hedy Lamarr). Building on the success of 1941's "The Maltese Falcon" and further expanding Bogart's increasingly complex on-screen personality, it added a romantic quality which had heretofore been missing; eventually making this the AFI's Top 20th century love story (even before the No. 2 "Gone With the Wind"), while second only to "Citizen Kane" on the AFI's overall list of Top 100 20th century movies; with a unique, inimitable blend of drama, passion, humor, exotic North African atmosphere, patriotism, unforgettable score (courtesy of Herman Hupfeld's "As Time Goes By," Max Steiner and Louis Kaufman's violin) and an all-star cast, consisting besides Bogart of Ingrid Bergman (Ilsa), Paul Henreid (Victor Laszlo), Claude Rains (Captain Renault), Dooley Wilson (who, a drummer by trade, had to fake his piano playing as Rick's friend Sam), Conrad Veidt (Major Strasser), Sydney Greenstreet (Ferrari) and Peter Lorre (Ugarte). And the movie's countless famous one-liners have long attained legendary status in their own right ...

Looking at this movie's and its stars' almost mythical fame, it is difficult to imagine that, produced at the height of the studio system era, it was originally just one of the roughly 50 movies released over the course of one year. But mass production didn't equal low quality; on the contrary, the great care given to all production values, from script-writing to camera work, editing, score and the stars' presentation in the movies themselves and in their trailers, was at least partly responsible for its lasting success. In fact, the screenplay for "Casablanca" was constantly rewritten even throughout the filming process, to the point that particularly Ingrid Bergman was extremely worried because she was unsure whether at the end she (Ilsa) would leave Casablanca with Henreid's Victor Laszlo or stay there with Humphrey Bogart (Rick).

Little needs to be said about the movie's story. After the onset of WWII, Casablanca has become a point of refuge for Jews and other desperate souls from all corners of Europe, fleeing the old world with the hope of building a new life in America. Unofficial center of Casablanca's society is Rick's "Cafe Americain," where gamblers, refugees, French police, Nazi troops, thieves, swindlers and soldiers of fortune come together on a nightly basis, to make connections, conduct their shady business, or simply forget the uncertainty of their fate for a few precious hours. And presiding over this mixed and colorful society is Rick Blaine, expatriate American without any hope of returning to the United States himself (for reasons never fully explained), officially not interested in politics but only the flourishing of his business, but soft-hearted underneath the hard shell of his cynicism. From Rick's perspective, everything is going just swell and the way it is meant to be: he is reasonably well-respected, has a good working relationship with Captain Renault, the local representative of the Vichy government (based on mutual respect as much as on the fact that Renault is a guaranteed winner at Rick's gambling tables and, by way of reciprocation, turns a blind eye to whatever less-than-squeaky-clean transactions Rick may be tolerating in his cafe, always ready to have his police round up "the usual suspects" instead of the truly guilty party of a crime if that person's continued freedom promises to be more profitable); and although aware of Rick's not quite so apolitical past, the Germans are leaving him alone as well, as long as he stays out of politics now. Until ... well, until famous underground resistance leader and recent concentration camp-escapee Victor Laszlo and his wife Ilsa walk into Rick's cafe, into his place "of all the gin joints in all the towns in all the world" - and with one blow, administered to the melancholy tunes of "As Time Goes By," the carefully maintained equilibrium of his little world comes crashing down around him.

Not only to Bogart and Bergman fans all over the world, "Casablanca" is film history's all-time crowning achievement, a "must" in every movie lover's collection, and one of the few films that truly deserve the title "classic." If you don't already own it, the 2003 release of a two-disc special edition chock-full with extras is a great occasion to remedy that omission - or if you don't have a DVD player, at least go out and get the video!


You must remember this ...   May 24, 2004
Themis-Athena (from somewhere between California and Germany)
14 out of 14 found this review helpful

You must remember this ... February 22, 2004
Aaaahhh ... Bogey. AFI's No. 1 film star of the 20th century. Hollywood's original noir anti-hero, epitome of the handsome, cynical and oh-so lonesome wolf (with "Casablanca"'s Rick Blaine alone, also playing one of the Top 5 guys on the AFI's list of greatest 20th century film heroes); looking unbeatably cool in white dinner jacket or trenchcoat and fedora alike, a glass of whiskey in his hand and a cigarette dangling from the corner of his mouth. Endowed with a legendary aura several times larger than his real life stature, and still admired by scores of women wishing they had been born 50+ years earlier, preferably somewhere in California and to parents connected with the movie business, so as to have at least a marginal chance of meeting him.

Triple-Oscar-winning "Casablanca," directed by Michael Curtiz, was and still is without question Bogart's greatest career-defining moment, the movie on which his legendary status is grounded more than on any other of his multiple successes. The film's story is based on Murray Burnett and Joan Alison's play "Everybody Comes to Rick's," renamed by Warner Brothers in order to tag onto the success of the studio's 1938 hit "Algiers" (starring Charles Boyer and Hedy Lamarr). Building on the success of 1941's "The Maltese Falcon" and further expanding Bogart's increasingly complex on-screen personality, it added a romantic quality which had heretofore been missing; eventually making this the AFI's Top 20th century love story (even before the No. 2 "Gone With the Wind"), while second only to "Citizen Kane" on the AFI's overall list of Top 100 20th century movies; with a unique, inimitable blend of drama, passion, humor, exotic North African atmosphere, patriotism, unforgettable score (courtesy of Herman Hupfeld's "As Time Goes By," Max Steiner and Louis Kaufman's violin) and an all-star cast, consisting besides Bogart of Ingrid Bergman (Ilsa), Paul Henreid (Victor Laszlo), Claude Rains (Captain Renault), Dooley Wilson (who, a drummer by trade, had to fake his piano playing as Rick's friend Sam), Conrad Veidt (Major Strasser), Sydney Greenstreet (Ferrari) and Peter Lorre (Ugarte). And the movie's countless famous one-liners have long attained legendary status in their own right ...

Looking at this movie's and its stars' almost mythical fame, it is difficult to imagine that, produced at the height of the studio system era, it was originally just one of the roughly 50 movies released over the course of one year. But mass production didn't equal low quality; on the contrary, the great care given to all production values, from script-writing to camera work, editing, score and the stars' presentation in the movies themselves and in their trailers, was at least partly responsible for its lasting success. In fact, the screenplay for "Casablanca" was constantly rewritten even throughout the filming process, to the point that particularly Ingrid Bergman was extremely worried because she was unsure whether at the end she (Ilsa) would leave Casablanca with Henreid's Victor Laszlo or stay there with Humphrey Bogart (Rick).

Little needs to be said about the movie's story. After the onset of WWII, Casablanca has become a point of refuge for Jews and other desperate souls from all corners of Europe, fleeing the old world with the hope of building a new life in America. Unofficial center of Casablanca's society is Rick's "Cafe Americain," where gamblers, refugees, French police, Nazi troops, thieves, swindlers and soldiers of fortune come together on a nightly basis, to make connections, conduct their shady business, or simply forget the uncertainty of their fate for a few precious hours. And presiding over this mixed and colorful society is Rick Blaine, expatriate American without any hope of returning to the United States himself (for reasons never fully explained), officially not interested in politics but only the flourishing of his business, but soft-hearted underneath the hard shell of his cynicism. From Rick's perspective, everything is going just swell and the way it is meant to be: he is reasonably well-respected, has a good working relationship with Captain Renault, the local representative of the Vichy government (based on mutual respect as much as on the fact that Renault is a guaranteed winner at Rick's gambling tables and, by way of reciprocation, turns a blind eye to whatever less-than-squeaky-clean transactions Rick may be tolerating in his cafe, always ready to have his police round up "the usual suspects" instead of the truly guilty party of a crime if that person's continued freedom promises to be more profitable); and although aware of Rick's not quite so apolitical past, the Germans are leaving him alone as well, as long as he stays out of politics now. Until ... well, until famous underground resistance leader and recent concentration camp-escapee Victor Laszlo and his wife Ilsa walk into Rick's cafe, into his place "of all the gin joints in all the towns in all the world" - and with one blow, administered to the melancholy tunes of "As Time Goes By," the carefully maintained equilibrium of his little world comes crashing down around him.

The movie's recently-released collectors' edition is unquestionably superior to the prior single-disc DVD; featuring not only an improved video transfer but also, and notably, a new introduction by Lauren Bacall, additional documentaries ("Bacall on Bogart" and "The Children Remember" with Stephen Bogart and Ingrid Bergman's daughters Pia Lindstrom and Isabella Rosselini) besides the excellent "You Must Remember This" already included on the one-disc edition, newly-discovered deleted scenes, treasures from the production history, commentary tracks with Roger Ebert and historian Rudy Behlmer, as well as several audio documents and fun stuff like photos, a poster, web links and the "Looney Tunes" homage "Carrotblanca."

Not only to Bogart and Bergman fans all over the world, "Casablanca" is film history's all-time crowning achievement, a "must" in every movie lover's collection, and one of the few films that truly deserve the title "classic." If you don't already own it, the release of a two-disc special edition is a great occasion to remedy that omission!


The Beginning of a Beautiful Friendship....   November 22, 2003
13 out of 13 found this review helpful

Because I've been reading Michael Walsh's novel As Time Goes By, I recently decided to watch Casablanca again on DVD. I was amazed to see how this 1943 Oscar-winning film remains powerful and moving 60 years after its release.

Almost everybody knows its plot of of wartime intrigue and its doomed romantic triangle of bitter American saloonkeeper Rick Blaine (Humphrey Bogart), the beautiful Ilsa Lund (Ingrid Bergman), and her idealistic husband, Victor Laszlo (Paul Henreid). This trio is supported by a wonderful and varied cast of characters, including Police Prefect Louis Renault (Claude Rains), Rick's faithful friend and piano player Sam Waters (Arthur "Dooley" Wilson), the conniving Ugarte (Peter Lorre), the Russian bartender Sacha (Leonid Kinsky), and the loveable maitre d' Carl (S. Z. Sakall).

The heart of the movie revolves around the conflict created in Rick's heart by World War II. When his former flame Ilsa arrives in Casablanca, does he help her and her husband Victor escape to Lisbon, or does he allow German Major Strasser (Conrad Veldt) to capture the fugitive Czech resistance leader so Rick can take Ilsa to America himself? Or do his natural good instincts surface and get Rick to do the honorable thing?

This movie has a little bit of everything: suspense, drama, comedy, an exotic setting, and lots of music, including renditions of "It Had To Be You," "The Very Thought Of You," and a thrilling duel between Germans singing the "Watch On The Rhine" and the Allies belting out "The Marsellaise." Other songs heard in the film include "Knock On Wood," and the unforgettable "As Time Goes By."

Another crucial element is the snappy and memorable dialog written by the Epstein twins and Hal B. Wallis for this movie:

Rick: I came here for the waters.
Louis: Waters? What waters? We're in the desert.
Rick: Obviously, I was misinformed.

Ilsa: (to Sam) Play it. Play "As Time Goes By."

Rick: (to Sam) Of all the gin joints in all the towns in all the world, she walks into mine.

Louis: (pretending to be surprised) I'm shocked, shocked to find gambling in here!
Casino Dealer: (handing Louis some money) Your winnings, sir.
Louis: (takes the money) Thank you.

Rick: (to Ilsa) Now, now...here's looking at you, kid.

With all these ingredients, director Michael Curtiz and producer Jack Warner came up with a recipe for a movie that became a beloved classic, a status recognized when the Library of Congress named Casablanca as one of the most important American films.

Betty June Moore