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The Curious Case Of Benjamin Button [DVD] [2008]

The Curious Case Of Benjamin Button [DVD] [2008]Director: David Fincher
Actors: Brad Pitt, Cate Blanchett, Julia Ormond, Jason Flemyng, Taraji P. Henson
Studio: Warner Home Video
Category: DVD

List Price: £19.99
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Rating: 3.5 out of 5 stars 107 reviews

Format: Anamorphic, PAL
Languages: English (Unknown), English (Audio Description)
Rating: Suitable for 12 years and over
Region: 2
Aspect Ratio: 16:9 - 1.78:1
Number Of Discs: 1
Running Time: 159 Minutes
Shipping Weight (lbs): 0.2
Dimensions (in): 7.4 x 5.4 x 0.6

EAN: 5051892004954
ASIN: B001MYKZ6C

Theatrical Release Date: 2008
Release Date: June 8, 2009
Availability: Usually dispatched within 1-2 business days

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Editorial Reviews:

Amazon.co.uk Review
The deservedly multi-award nominated The Curious Case Of Benjamin Button sees David Fincher team up with his Fight Club star Brad Pitt. Pitt plays Benjamin Button, a man born in an old peron's body who in turn ages backwards. While the premise may seem a little mind-boggling for some, Eric Roth (the writer behind Forrest Gump) and Robin Swicord's adaptation of F. Scott Fitzgerald's short story is poetic, epic and intimate all at once. Critics have moaned about its length, but for the story and the characters to become a part of you, this film could not have been any shorter. The Currious Case Of Benjamin Button is a magical tale about love, understanding and acceptance, all themes ridiculously relevant in our time. Brad Pitt and Cate Blanchett's chemistry lights up the screen. Together with Fincher and the outstanding supporting cast (inlcuding Tilda Swinton, Oscar nominated Taraji P. Henson and Julia Ormond), the tale of little Benjamin Button is uplifting and original. Giving away any scenes or technical effects would be ruining the magic. --Jennifer Kilchenmann


Customer Reviews:
4 out of 5 stars Powerful, Poignant and Long   April 22, 2009
Jana L. Perskie (New York, NY USA)
43 out of 50 found this review helpful

"The Curious Case of Benjamin Button" is based on a short story by F. Scott Fitzgerald. Director David Fincher and co-writers Eric Roth and Robin Swicord might well have followed Mr. Fitzgerald's lead and made their movie shorter, because the film's running time is nearly 3 hours. And that is really a long time to expect an audience to sit still...at least for this particular film, with its straightforward premise: A child is born as a very old man. The story progresses and the man progresses to lose a year every year. He grows younger with time. That's the magic which makes this enchanting tale unique...and, well, magical. (but still too long!!)

Initially, a blind man is commissioned to create a clock to hang in New Orleans' train station. Embittered by news of his son's death in WWI, and by all deaths in all wars, he creates a clock which runs backwards, so that the young lives lost might be restored.

Meanwhile, Daisy, an elderly women, (Kate Blanchett, made-up to look old and ugly...is this possible?), is on her deathbed in a New Orleans' hospital. As Hurricane Katrina rages outside her window, she asks her daughter, (Julia Ormond), to read from a secret diary. Through her diary, the dying woman tells the story of one Benjamin Button and how his life intersected with her's.

While a New Orleans' crowd celebrates the end of WWI, a young mother dies giving birth to a son. When the infant's father sees him for the first time, his misery at the loss of his wife is overshadowed by his horror as he glimpses his child. The baby boy looks like a monster. In fact, the tiny infant has the wizened face and body of a man in his late eighties. Mr. Button, the Dad, leaves his son on the steps of an old-age home where Queenie, (Taraji P. Hensen) and Tizzy (Mahershalalhashbaz Ali), a couple who work at the home, take in the boy child and make him their own. They name him Benjamin.

Imagine their surprise when the aged baby begins to grow younger. Eventually, he is able to transport himself by wheelchair, then he walks with a cane, then upright with no assistance, until he is actually able to walk quickly on his own two feet. Remember the riddle, "What has 4 legs in the morning, 2 in the afternoon, and 3 in the evening?" Well, this is the riddle reversed. When Benjamin reaches his 70's, more or less, he meets a little girl named Daisy, whose grandmother lives at the home. The two immediately feel a sense of affinity and play happily together, in spite of the enormous difference in their ages. They are best friends, sharing secrets and listening as Daisy's grandmother reads to them.

While Benjamin's age decreases, his adventures increase. And Daisy grows older. Benjamin goes to sea and Daisy becomes a successful ballerina. They meet in New York, but Benjamin is still too old for her, in a romantic sense. One feels a sense of poignancy and wistfulness as the now middle-aged man watches her go off with someone younger. I take out my tissues for the first time at this point, and don't put them away.

Eventually Benjamin and Daisy catch up to each other in time...but you must see the film to find out what happens as they fall in love, and then fall away from each other as they continue to age on dissimilar paths.

I think this film belongs to Daisy/Blanchette, rather than to charismatic Brad Pitt, who does turn out a compelling performance. Daisy is the one who truly has growing pains - who struggles with her lack of worldly experience and develops as a character. Benjamin is born with the wisdom and tranquility that come with age and he appears somewhat detached as his life unfolds.

Although the make-up artistry and technical effects are exceptional, the storyline and the changing faces of the actors is what enthralls. The themes of the passage of time and of inevitable loss are quite moving and powerful.

So, I would suggest that you definitely see the film as, ultimately, it is well worth the disadvantage of its length. Once again, a matter of time.
Jana Perskie



5 out of 5 stars Beautiful   December 30, 2008
Anna (London)
35 out of 43 found this review helpful

The Curious Case of Benjamin Button opens with a very elderly Cate Blanchett lying in a hospital bed just as she's about to die. She is with her daughter, Caroline (played by Julia Ormond - last seen with Brad Pitt in Legends of the Fall), and an old leather diary written by the eponymous Benjamin Button, stuffed with tickets and postcards and clippings and scraps of paper.

As she starts to read, the film swiftly transports us to early 1900s New Orleans, and the film quality takes on a pastel-shaded, crackly appearance and it's unbelievably beautiful and evocative. We're given the genesis of the film, as a clock-maker creates a magnificent clock that ticks backwards, reversing time.

It's soon after that that Benjamin is born, and born old. He has arthritis and cataracts and paper-like skin. His father leaves him on the stairs of an old people's home, and Benjamin is taken in by a warm, wonderful Creole woman who raises him as her own. There he falls in forever-love with Daisy... and she with him, despite his appearing as an elderly man, and she a child.

The film chronicles Benjamin's life, as written in his diary. Pitt narrates, much like he does in Interview With The Vampire... and that's not the only similarity between the two. The slightly other-wordly feel of N'Orleans decades ago is rampant in both; the richness and texture of the film is there, too.

The love story between Daisy (Cate Blanchett) and Benjamin Button is bittersweet and powerful. It's disorientating, watching one age as the other grows younger - it becomes easy to forget that they have loved one another for almost 80 years, and only been together for a time in the middle. One brief exchange very much clarifies it when he is now in his 20s, and she in her 50s:

Daisy: "You're so young..."
Benjamin: "Only on the outside."

It's a love story and a tragedy and a fantasy, beautifully and subtly done, with a backdrop of cultural events in America's history. These, though, are used to show the passage of time and to date Benjamin's life - they're a painting in the background and he plays no part in them.

It's a peaceful, gentle film, and it ponders life as it goes along. It's thoroughly beautiful in every way.



2 out of 5 stars Strangely flat   August 10, 2010
shpadoinkle (Not here.)
1 out of 1 found this review helpful

I'm not a fan of Brad Pitt - I think he looks like a big beefy baby, and his acting is completely boring. But this film has had rave reviews, and I think Cate Blanchett is brilliant. So I took a little risk, and rented this DVD. And now I kind of wish I hadn't bothered.

This film started off interesting, and the visual effects are superb. I don't mind slow-paced films, so I settled down and let the sepia-tinted story unfold. But after an hour or so, I began to check the timer on my DVD player A LOT. You know you're in trouble when you start doing that an hour and a half from the end. The meandering pace just kept on plodding along. Minor characters came, and minor characters went, and I didn't care about any of them. Unfortunately I didn't care about the main characters either. I'm not sure why, but they just werent apealing or endearing in any way. Benjamin basically just gets younger throughout the film, and that's it. Cate's Blanchett's character (I can't even remember her name) seems kind of shallow and selfish, wafting in and out of Benjamin's life when she feels like it.

In fact, I think the front cover of this DVD just about sums up the film. Pretty people, nice visuals, and very little emotional resonance. I kind of feels like they both just stare blankly like that for the whole film.

Some reviewers seemed to see this film as a poignat reminder that 'Its whats on the inside that counts', but I really think that's pushing it. If this fim has any message at all, its certainly not about love triumphing over appearances, or whatever. I cant really go into why without giving away major plot points, but basically the main characters actions often seem ridiculously shallow and cold-hearted. And so SERIOUS. The only humour comes from a couple of 10-second scenes about a man being repeatedly hit by lightning.

For me, this film was just part of a long tradition of Brad Pitt films that I wish I hadn't bothered with.



5 out of 5 stars Why is this only 3 and a half star??????!!!!!!   June 4, 2010
1 out of 1 found this review helpful

Brad Pitt is an actor who has mostly appeared in violent and non-indepth films like Se7en and Fight Club. But this is probably the most in-depth film ever made! Chronicling the life of the unusual Benjamin Button, it explores into the problems of today's society. The ending scene is a reminder of how many types of people there are in the world and that there is more good than bad and more law than crime. The ending scene is the also saddest because my mum cried like heck! The way that they have woven the story to give Button a very interesting life is also a one-off opportunity for viewers and the chronological and physical age timeline crossing is genius! Visual effects: 10/10. Story: 10/10. Acting: 10/10.
All in all, 10/10!



5 out of 5 stars The Clock Is Ticking Backwards   January 24, 2009
Steven Stewart (Liverpool)
8 out of 10 found this review helpful

Upon first introduction of this film, we know that it is based on a short story by F. Scott Fitzgerald. The short story tells of a boy born as an old man who, within a few hours can talk and act as such. To avoid embarassment, Benjamins father forces him to dye his hair and play with the local children as a real child. All Benjamin wants to do is read, smoke cigars and have adult conversations as an adult would. Being a short story, you cannot really expect a feature film to be wholly adapted from it, you have to expect massive changes and extensions in order to present a worthwhile and fluid picture to be enjoyed by the masses. What would likely be a film under 1 hour long if it was adapted word for word from the story, we were presented with a treat of a 2 and a half hour story told from the death bed of an aged Cate Blanchett in a pre-hurricane New Orleans hospital.

To start off the story we are presented with a metaphorical plot device in the form of a train station clock running backwards, which was made as a hope that it would mean all the dead soldiers of the first world war could come home alive.

The story as told to Daisy (Cate Blanchett) by her daughter reading from a diary is that of Benjamin Button, an incredible man whos mother gave her life for and was abandoned by his father (Jason Flemyng). He was born with the appearance of an old man, with all the ailments to boot. He was left on the porch of a New Orleans nursing home to be found by one of the nurses known as Queenie (Taraji P. Nelson), she adopts him and christens him with the name Benjamin. Throughout his early childhood Benjamin is expected to die any day due to the illnesses he has and the way he looks, so is forced to live in the home as if her were one of the elderly relatives.

What Queenie starts to become aware of is that as Benjamin gets older, he does not get weaker and sicker as predicted but he's getting younger and fitter. Whilst still looking old but being about the age of 7 he meets a girl who is the daughter of one of the elderly residents known as Daisy. They become friends but cannot be around each other too much due to what he looks like (quite frankly I'm glad they didn't take it any further too early as it was a bit creepy). As Benjamin grows older, he meets his father again, but is not told who he is. He just thinks he is a friendly stranger who offered him a ride and a drink at a bar. Benjamin then moves out to enjoy the adventures of life and is forced to deal with some adult adventures he wouldn't experience if he looked his age.

What I can really say about this film with whole hearted honesty is that I absolutely loved it. From start to finish it felt genuine, the maternal love of Queenie for her adopted son came across as authentic thanks to the sublime acting of Taraji. The affair scene with Tilda Swintons character, (although I truly dislike the woman as she looks like someone who was repeatedly hit in the face with a dog by a tramp, and sounds like the queen if she smoked 5 packets of cigarettes a day) is done really well and you get the feeling that Benjamin (Pitt) is genuinely falling for her.

Apart from the main plot of Benjamin Button being quite heart wrenching at times, the sub plot of an aged Daisy keeping herself alive until the end of the story is told is quite something. The make up, setting and in some cases special effects all come together well to present a believable setting of a progressive early 1900s New Orleans. The superb performance of Taraji P. Nelson deserves special mention as she now shows the world some genuine acting talent. This has to be Pitts oscar win as for this role it would truly be deserved, however, I would not be surprised if it were highly overshadowed by 2008s biggest blockbusters.


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