Casablanca [1942]

Triple-Oscar-winning "Casablanca," directed by Michael Curtiz, was and still is without question Bogart's greatest career-defining moment, the movie on which his legendary status is grounded more than on any other of his multiple successes. The film's story is based on Murray Burnett and Joan Alison's play "Everybody Comes to Rick's," renamed by Warner Brothers in order to tag onto the success of the studio's 1938 hit "Algiers" (starring Charles Boyer and Hedy Lamarr). Building on the success of 1941's "The Maltese Falcon" and further expanding Bogart's increasingly complex on-screen personality, it added a romantic quality which had heretofore been missing; eventually making this the AFI's Top 20th century love story (even before the No. 2 "Gone With the Wind"), while second only to "Citizen Kane" on the AFI's overall list of Top 100 20th century movies; with a unique, inimitable blend of drama, passion, humor, exotic North African atmosphere, patriotism, unforgettable score (courtesy of Herman Hupfeld's "As Time Goes By," Max Steiner and Louis Kaufman's violin) and an all-star cast, consisting besides Bogart of Ingrid Bergman (Ilsa), Paul Henreid (Victor Laszlo), Claude Rains (Captain Renault), Dooley Wilson (who, a drummer by trade, had to fake his piano playing as Rick's friend Sam), Conrad Veidt (Major Strasser), Sydney Greenstreet (Ferrari) and Peter Lorre (Ugarte). And the movie's countless famous one-liners have long attained legendary status in their own right ...

Looking at this movie's and its stars' almost mythical fame, it is difficult to imagine that, produced at the height of the studio system era, it was originally just one of the roughly 50 movies released over the course of one year. But mass production didn't equal low quality; on the contrary, the great care given to all production values, from script-writing to camera work, editing, score and the stars' presentation in the movies themselves and in their trailers, was at least partly responsible for its lasting success. In fact, the screenplay for "Casablanca" was constantly rewritten even throughout the filming process, to the point that particularly Ingrid Bergman was extremely worried because she was unsure whether at the end she (Ilsa) would leave Casablanca with Henreid's Victor Laszlo or stay there with Humphrey Bogart (Rick).

Little needs to be said about the movie's story. After the onset of WWII, Casablanca has become a point of refuge for Jews and other desperate souls from all corners of Europe, fleeing the old world with the hope of building a new life in America. Unofficial center of Casablanca's society is Rick's "Cafe Americain," where gamblers, refugees, French police, Nazi troops, thieves, swindlers and soldiers of fortune come together on a nightly basis, to make connections, conduct their shady business, or simply forget the uncertainty of their fate for a few precious hours. And presiding over this mixed and colorful society is Rick Blaine, expatriate American without any hope of returning to the United States himself (for reasons never fully explained), officially not interested in politics but only the flourishing of his business, but soft-hearted underneath the hard shell of his cynicism. From Rick's perspective, everything is going just swell and the way it is meant to be: he is reasonably well-respected, has a good working relationship with Captain Renault, the local representative of the Vichy government (based on mutual respect as much as on the fact that Renault is a guaranteed winner at Rick's gambling tables and, by way of reciprocation, turns a blind eye to whatever less-than-squeaky-clean transactions Rick may be tolerating in his cafe, always ready to have his police round up "the usual suspects" instead of the truly guilty party of a crime if that person's continued freedom promises to be more profitable); and although aware of Rick's not quite so apolitical past, the Germans are leaving him alone as well, as long as he stays out of politics now. Until ... well, until famous underground resistance leader and recent concentration camp-escapee Victor Laszlo and his wife Ilsa walk into Rick's cafe, into his place "of all the gin joints in all the towns in all the world" - and with one blow, administered to the melancholy tunes of "As Time Goes By," the carefully maintained equilibrium of his little world comes crashing down around him.

Not only to Bogart and Bergman fans all over the world, "Casablanca" is film history's all-time crowning achievement, a "must" in every movie lover's collection, and one of the few films that truly deserve the title "classic." If you don't already own it, the 2003 release of a two-disc special edition chock-full with extras is a great occasion to remedy that omission - or if you don't have a DVD player, at least go out and get the video!


The Beginning of a Beautiful Friendship....   November 22, 2003
13 out of 13 found this review helpful

Because I've been reading Michael Walsh's novel As Time Goes By, I recently decided to watch Casablanca again on DVD. I was amazed to see how this 1943 Oscar-winning film remains powerful and moving 60 years after its release.

Almost everybody knows its plot of of wartime intrigue and its doomed romantic triangle of bitter American saloonkeeper Rick Blaine (Humphrey Bogart), the beautiful Ilsa Lund (Ingrid Bergman), and her idealistic husband, Victor Laszlo (Paul Henreid). This trio is supported by a wonderful and varied cast of characters, including Police Prefect Louis Renault (Claude Rains), Rick's faithful friend and piano player Sam Waters (Arthur "Dooley" Wilson), the conniving Ugarte (Peter Lorre), the Russian bartender Sacha (Leonid Kinsky), and the loveable maitre d' Carl (S. Z. Sakall).

The heart of the movie revolves around the conflict created in Rick's heart by World War II. When his former flame Ilsa arrives in Casablanca, does he help her and her husband Victor escape to Lisbon, or does he allow German Major Strasser (Conrad Veldt) to capture the fugitive Czech resistance leader so Rick can take Ilsa to America himself? Or do his natural good instincts surface and get Rick to do the honorable thing?

This movie has a little bit of everything: suspense, drama, comedy, an exotic setting, and lots of music, including renditions of "It Had To Be You," "The Very Thought Of You," and a thrilling duel between Germans singing the "Watch On The Rhine" and the Allies belting out "The Marsellaise." Other songs heard in the film include "Knock On Wood," and the unforgettable "As Time Goes By."

Another crucial element is the snappy and memorable dialog written by the Epstein twins and Hal B. Wallis for this movie:

Rick: I came here for the waters.
Louis: Waters? What waters? We're in the desert.
Rick: Obviously, I was misinformed.

Ilsa: (to Sam) Play it. Play "As Time Goes By."

Rick: (to Sam) Of all the gin joints in all the towns in all the world, she walks into mine.

Louis: (pretending to be surprised) I'm shocked, shocked to find gambling in here!
Casino Dealer: (handing Louis some money) Your winnings, sir.
Louis: (takes the money) Thank you.

Rick: (to Ilsa) Now, now...here's looking at you, kid.

With all these ingredients, director Michael Curtiz and producer Jack Warner came up with a recipe for a movie that became a beloved classic, a status recognized when the Library of Congress named Casablanca as one of the most important American films.

Betty June Moore


Vichy et Noir   August 19, 2004
ianrmillard
9 out of 9 found this review helpful

The geo-political background of this marvellous film, a film which transcends its WW2 propaganda efforts, is still not known to many: after the fall of France in 1940, most of France (except Paris and North and the coastal regions) was, in fact, at least until 1942-43, run by a virtually independent pro-German French administration based in the spa town of Vichy. The overseas colonies of France, from Devil's Island to Indo-China, were ideologically split: some supported Vichy, some de Gaulle's London-based "government", others a mid-way position based around local high-ranking French commanders (French Morocco and Algeria, to name but two).

Casablanca, a port in Morocco, played a quasi-independent game, allied to Vichy but full of all sorts of people, including people in the administration and police, until the Americans and British invaded "by invitation" in 1943 (Operation Torch). This film is set somewhat beforehand, although actually made a little later.

Many propaganda points in the film will not be picked up on by most viewers, as in the scene where the obnoxious Deutsche Bank exec fails to gain entrance to Rick's casino room and storms off saying he will "report it to Der Angriff". how many know that to have been Goebbels' newspaper?

Whatever one's views about WW2, this film can be enjoyed for itself. It is, of course, a classic, a classic noir at that. Everyone should own this film.


More than a "hill of beans".   March 22, 2001
8 out of 11 found this review helpful

Casablanca must rate as one of the all time greatest of films. Superb performances from Humphrey Bogart,Ingid Bergman and Claude Raines. Outstanding support from Peter Lorre and Sidney Greenstreet. A real triangular war time love story with many twists the film has much humour but also is a tear jerker. There is never a dull moment and all the famous lines are in there except of course "play it again Sam" which was never used. Use this film as a benchmark before you next say "The best film ever was...."


Special in every good way.   January 13, 2002
mtr@ntlworld.com (North Wales)
8 out of 10 found this review helpful

There is no need to review this magnificent movie. I do wish to offer praise for the superb DVD conversion. It sparkles, is crystal clear with an excellent soundtrack.
Well worth bying. I might get a spare copy.